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Scores: 30790 Vote; Fantasy; ; creator: Isao Takahata; country: Japan; director: Isao Takahata. 4 / 5 stars 4 out of 5 stars. Isao Takahatas animated fable, eight years in the making, is a masterpiece to rank among Studio Ghiblis finest ‘A world of charcoal lines and watercoloured hues: The Tale of the Princess Kaguya. W ith The Wind Rises proving a swansong for Hayao Miyazaki, Ghiblis 79-year-old co-founder Isao Takahata keeps the animation studios stock high, amid reports of closure, with what has been rumoured to be his own final film. This adaptation of the 10th-century Japanese folk tale Taketori Monogatari (which has previously inspired such cinematic adventures as Kon Ichikawas live-action Princess from the Moon) boasts a sketchier, more impressionistic palette than the bold strokes of Spirited Away or Howls Moving Castle, which made Ghibli a global brand. Its a world of charcoal lines and watercoloured hues; you can almost feel the brushstrokes upon fibrous paper as the proudly hand-drawn action unfolds, skittish motion drawing our attention to the old-fashioned artistry of key collaborators Osamu Tanabe and Kazuo Oga. With its languid pace and expansive running time, this may lack the immediate connection with younger western audiences that Miyazakis most popular works achieved. Yet Takahatas beautiful historical fantasia, which was beaten to the best animated feature Oscar by Disneys anime-inflected Big Hero 6, is a poignant gem, very different in tone to the directors most celebrated works, Grave of the Fireflies and Only Yesterday, but no less worthy of praise and admiration. The story is well rehearsed yet still startlingly strange. Working in the forest, a bamboo-cutter, Sanuki, discovers a Thumbelina-like “princess” who transforms into a baby for him and his wife to nurse and raise in their rural home. Life in this sacred space is idyllic, and the young sylph soon earns the nickname Takenoko (Little Bamboo) for the speed with which she grows. But the equally miraculous discovery of gold and rare fabrics convinces Sanuki that this glowing creature deserves better, and he moves her to the capital to seek a husband befitting her imagined regal status. A succession of suitors ensue, all desperate to earn the hand of the mysterious young woman whose ethereal beauty has become the stuff of legend. But trapped within the gilded cage of a noble home and rigid social etiquette, the now formally named “Princess Kaguya” longs for the lost countryside of her childhood, and the friendship of handsome ragamuffin Sutemaru, which has sparked an eternal flame in her heart. The Tale of the Princess Kaguya trailer Eight years in the making (though arguably rooted in Tomu Uchidas unrealised Toei Animation project from the 1960s) this richly evocative vision seems as timeless as the tale that inspired it – a parable of the emptiness of earthly possessions and the transcendent power of love. Yes, there are weighty sociopolitical themes to be teased out of the storys tale of exile and forgetfulness, reward and banishment, but the dominant tone is one of painful tenderness – of the rapturous, bittersweet enchantment with nature that has underwritten so much of Studio Ghiblis output. While the elaborate set pieces in which suitors are commanded to bring forth the mythical elements with which they falsely describe their love (the robe of the fire rat, the jewel from a dragons neck) remain intact, it is our typically independent heroines longing for the simple pleasures of this world that really fire the action. Just as Hans Christian Andersens Little Mermaid ventured from the sea to experience human love, so the mysterious Kaguya is the girl who fell to Earth, seduced by the woodland haven in which she first makes her home. With vistas like these, no wonder she falls so hard. Rendered with deceptive simplicity, the undulating terrains of her childhood Eden are as attractive and alluring as any fantastical screen environment. As for Kaguya herself, her unspeakable beauty is left as much to the imagination as to illustration, implied by the unprettified strokes that delineate her face. Theres a touch of the elusiveness of Miyazakis Ponyo in Takahatas portrait of this moonchild – a fish-nor-foul uncertainty that allows her visage to slip almost imperceptibly from childish innocence to lunar luminescence. The scenes describing her early years, in which she learns to jump like a frog, are a miraculous study of the complex (e)motion of childhood that will have parents gasping with recognition. With the plaintive sound of a half-remembered folk song echoing through the trees, The Tale of the Princess Kaguya brings us to its audacious final act in a state of elegant readiness. It would be easy for this section to tip over into fantastical foolishness, but as the narrative takes flight and worlds collide, we find ourselves hoping against hope for a Disneyfied “happy” ending. What we get is something altogether more elegiac – a cosmic conclusion of operatic proportions that somehow manages to sit organically among the feet-in-the-mud frolics that have gone before it. The version of The Tale of the Princess Kaguya that I saw was the Japanese-dialogue original, of which I would not change a word. For those who prefer to avoid subtitles, however, an English redub with a voice cast including Chloë Grace Moretz and James Caan is available. Whichever format you prefer, the language of the visuals remains resolutely international – nay interstellar. Keep watching the skies.

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The tale of princess kaguya meaning. The Tale of Princess Kaguya. Hatake Jimusho/GNDHDDTK/Gkids hide caption toggle caption My first encounter with the lovely 10th-century Japanese folktale The Tale of the Bamboo Cutter was in the Sesame Street special Big Bird Goes to Japan. A kind and beautiful young woman named Kaguya-hime appears out of nowhere to take the Yellow One and his canine pal Barkley on a jaunt to Kyoto. They have fun, and then the mysteriously sad woman reveals that she is royalty in civilian dress and must return to her home on the moon. Bird and Barkley were marginally less inconsolable than were my toddler daughter and I. We all coped, as will every other child large or small when they see the ravishing The Tale of Princess Kaguya. As the legend goes, the princess was sent to Earth as punishment for an undisclosed transgression. We don't learn what her crime was in The Tale of Princess Kaguya, the latest offering from Hayao Miyazaki's esteemed Studio Ghibli, whose hand-drawn, animated tales of high-spirited rebel girls have delighted countless kids and parents around the world. Aside from their beauty, movies like Princess Mononoke, Spirited Away, My Neighbor Totoro and the hands-down favorite around our house, Kiki's Delivery Service, brought to life a small army of exuberantly disobedient girls (and boys, now and again) bent on running their own experimental show. The plot is basic fairy-tale fare. A baby drops from the sky and is found cradled inside a bamboo plant by a childless old woodcutter and his wife, voiced in the English-language edition by James Caan and Mary Steenburgen. They raise her as their own, and the cherished sprite (Chloe Grace Moretz) runs wild in the forest with her posse of peasant kids, a normal girl except for the strange growth spurts that bring her to womanhood at a rapid clip. When her beauty and vitality begin to attract attention, the old man, spurred by ambition and greed, moves his daughter to court to marry her up. Pining for home and the handsome peasant boy (Darren Criss) she left behind, the distraught Kaguya-hime spurns her suitors (the Emperor among them) by setting them impossible tasks. Take that, patriarchy. The Tale of Princess Kaguya is not directed by Miyazaki, who recently announced his retirement, but by his longtime collaborator Isao Takahata, who also made the beautiful Grave of the Fireflies. The new movie bears all the hallmarks of Ghibli house style, including the exquisite palette, in this case a delicate watercolor of pastels evoking, with not a hint of cute, a country girl's rapturous harmony with nature. A bamboo forest subtly changes color with the light; a leaf trembles in the breeze; a toddler turns in her sleep and curls her arm around her adoptive mother. Kaguya-hime is a wild thing in perpetual fluid motion, her long black hair flowing in sync with her body. Strapped into royal harness, she grows still and rigid under the heavy ceremonial vestments, the very picture of grief until, at last, she takes charge of her own fate. Unlike many Studio Ghibli movies, The Tale of Princess Kaguya is not a collaboration with the Disney company, which may be one reason why it doesn't pursue a happy ending as we understand it in the West. Like all fairy tales worth their salt, the movie trusts children to take on the big themes of life, death and despair included, and thus removes the sting. Kaguya takes her leave, as she must, but with a celestial orchestra and a magic mantle to help her through the transition. The moment of her passing is brought off with unsettling candor, but also with a compassion that promises an end to suffering, longing and loss — even, for those who wish it, another future to come. If I were rich, I'd give a boxed set of Studio Ghibli movies to every child on Earth at birth. For the sheer joy of the experience, and to see them through their lives.

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The tale of princess kaguya song. The tale of princess kaguya summary. Grave of the Fireflies should have been higher. The tale of princess kaguya studio ghibli. Feature Film: 23 November 2013 / 137 minutes Screenplay, Direction: Isao Takahata Credits & Film Information Figures; data; weekly BO # Story Plot, project proposal & theme Scripts & Lyrics What they say & sing Synopsis Summary of the film Availability Books, CDs, Videos, etc. FAQ Answers to questions; tidbits Impressions Reviews & articles Related Webpages Gateway to external resources Related Media Movie clips and the like Isao Takahata All about the director The Tale of Princess Kaguya ( かぐや姫の物語 Kaguya-hime no Monogatari. is Takahatas fifth film at Studio Ghibli and his first feature-length project since 1999. The story is adapted from  The Tale of the Bamboo Cutter ( 竹 取 物 語 Taketori Monogatari. the 10th Century work that is the oldest surviving folktale in Japanese literature. The roadshow posters tag line reads, “A princess crime and punishment. ” The film's distributor Toho, announced a delay in the release of the film and a change in music composer in February 2013. Originally planned for release in Japan simultaneously with, but separately from, Miyazakis The Wind Rises in the Summer of 2013, the film opened in roadshow release in Japan on 23 November 2013. Shinichiro Ikebe was originally slated to do the music for the film, before Joe Hisaishi was selected to compose the score. MPAA (USA) rating: PG.

Oh my sweet heaven, the score is phenomenal, and definitely Ghibli.

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The art detail in these makes me fall in love with the movies more and more.
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YouTube. Glenn Kenny October 17, 2014 Now nearly 80 years old, the Japanese animation director Isao Takahata has ever forged his own path over the course a half-century of work. A legendary perfectionist, the co-founder of Studio Ghibli (also the home of the great Hayao Miyazaki) has broken molds by, for example, creating an animated feature completely lacking in any “fantastic” element, the tender 1991 “Only Yesterday. ” His new film, his first in 14 years, is a staggering masterpiece of animation based on a very old Japanese folk tale. “The Tale of The Princess Kaguya” is both very simple and head-spinningly confounding, a thing of endless visual beauty that seems to partake in a kind of pictorial minimalism but finds staggering possibilities for beautiful variation within its ineluctable modality. Its a true work of art. Advertisement The movie begins with a gruff bamboo cutter in a forest. The colors are pastel and watercolor; the drawing resembles charcoal sketches. Cutting away at bamboo, the farmer sees a shaft of light; then a plant yields a doll-like creature that, once he spirits it off to his cabin to show his wife, transforms into a human baby. Despite being in middle age, the wife discovers she can feed the baby (the breastfeeding depictions are very matter-of-fact) the little girl is growing at an accelerated rate. She soon starts playing with some of the males who live in the neighboring area; they nickname her “Lil Bamboo. ” The leader of the boys is the slightly older Sutemaru, and all seems right for Lil Bamboo in the pastoral paradise where she runs and plays and laughs and sings a song about the nature of all living beings, a song she cant remember having learned but which shes always known. Her adoptive pop has other ideas, especially after “the gods, ” as he believes, bestow a lot of gold upon him; he goes and buys a castle in the capital, and venture to make the little girl into a genuine princess. Lil Bamboos heart breaks, but she wants to honor her fathers wishes. Heres where the movies story takes a rather infuriating turn. As the girl, soon given the name “Kaguya, ” is trained and then visited by a quintet of ostensibly noble suitors, the story turns into a kind of nightmare of patriarchy. Kaguya, bright and talented and beautiful, suffers through multiple squelchings of her own desire, and then acquiesces to the venal wishes of the authority figures she loves. The movie is so emotionally roiling because it, too, is of two minds. It wants Kaguyas unfettered spirit to have its way, but it also recognizes the almost primordial obligation that binds us to family and convention. Kaguyas got her oafish fathers number, and when she stands up to him its thrilling: “If I see you in a courtiers cap Ill kill myself, ” she tells him calmly at one point. And the fathers ignorance is startling: he truly believes that what hes putting Kaguya through is for her own happiness, that this status is something she covets as much as he. Things take an even more jarring turn once Kaguya finds out just where shes from. Even if you have trouble hooking into the scenarios cultural idiosyncrasies—the concerns of this movie, while not “Japanese” in and of themselves, are addressed in a very specifically Japanese way—every frame of “Princess Kaguya” is astonishingly beautiful. What looks rather rudimentary at the films opening is revealed to have a depth that never stops yielding beauty; check out the shadows that fall over the bamboo cutter as he runs from the forest with his discovery cradled in his arms. The movement animation of the baby “Lil Bamboo” is some of the best depiction of infant development ever in any medium: so much study, care, and artistry. Creatures both found in nature (insects, birds) and not (storm clouds that become dragons) are drawn with remarkable sensitivity. I believe the movie is best experienced with its original Japanese-language soundtrack; its widest release, however, will be in an English-language dub featuring James Caan voicing the bamboo-cutter, Mary Steenburgen as the wife, and Chloe Grace Moretz as Kaguya. Due to a screening snafu I was able to experience about fifteen minutes of this version and can report that it sounds as if these performers honor the material well, so either way, dont miss this if you are an animation fan. Reveal Comments comments powered by.

To hear all the dialogue in English for the first time is so interesting! One, because Daisy Ridley being cast as Taeko is such a great surprise (and we all get to hear her American English dialect in this language adaption. and two, because I suppose Taeko sounds like taiko in American English. Haha, oh well. I'm excited to hear the final product when the film is is released to DVD/BluRay. So far the English cast's performances sound excellent.

The tale of princess kaguya ending. The tale of princess kaguya english sub. The tale of princess kaguya movie. The tale of princess kaguya english dub. One of my all time favorite animes. RIP Isao. Inspiration is hard to come by, the finer the art you find the harder it is to find something that touches you. Tale of Princess Kaguya has the ability to enlighten your mind if you're willing to let it.
This is the kind of film that leaves one somehow filled up, a sense of contentment that is inexplicable yet entirely tangible on an emotional level. The characters are full of the wide ranging human emotion that many have come to expect from 'Ghibli films, giving the audience; belly laughs, awe, sadness, despair, and happiness.
Studio Ghibli wastes no time in revealing the magical elements within the tale, in the introduction a magical birth of a tiny child happens deep in a bamboo forest that leaves a kindly elderly couple in awe and adoration. Feeling blessed they embark on giving the magical child the best care they can give to her. As soon as we see Kaguya spring in to action, all the joyfulness of films such Totoro, Kiki's Delivery Service and Howl's Moving Castle is reborn. This was something that I was very happy to see having found recent Ghibli films to be lacking the trademark otherworldliness that I have come to love.
However, the film is not in entirely the same vein as many other Ghibli films, particularly in the animation department. The style comes across as much more minimalistic but equally as beautiful as any of their work thus far. It pays homage to ancient Japanese bamboo painting techniques, a style that I would imagine is painstaking to animate, yet it is gracefully brought to life. The ancient setting and style of the film gives the audience what feels like a genuine insight into medieval Japan, the customs, the fashions, attitudes, they all feel authentic and, for want of a better word, informative.
I don't want to give away much more about this story so I will finally say that The Tale of Princess Kaguya is a must for any Ghibli fan, don't let the uncharacteristic animation style put you off seeing this beautiful tale. It's something the whole family can enjoy too.

The tale of princess kaguya full movie japanese. Anyone think that Spirted Away is the best anime like I did. This is one of the movies that I like to watch for <3. My favourite is Spirited Away with Howls Moving Castle (the book is really good too) a close second (but I love them all. The tale of princess kaguya showtimes. Here's what I don't get. The mom's moods and the dad's moods are the same gender as themselves yet the girl has two males. I love how imperfect and unidealized the characters look! Everyone in past movies (Frozen, Hero 6) was too beautiful to be true.

GHIBLI > DISNEY and u can't change my mind. Already seen that movie with English subtitles. what a beautiful movie. truly a ghibli studio movies teaches some kind of moral things to us... so does this one. my most favorite anime movie ever ♥♥♥. The tale of princess kaguya. The tale of princess kaguya watch. Real life : • Just Shut up an explosive like sound with short lost of memory (it was a slap) •Just kidding daaad. When is when marnie was there coming to the uk, been waiting for a dvd release forever. The tale of princess kaguya review. Watch The Tale of The Princess Kaguya online English dubbed free with HQ / high quailty. Stream movie The Tale of The Princess Kaguya English version. In an idyllic rural setting an old bamboo cutter and his wife raise a tiny girl found nestled within a glowing bamboo stalk along with a fortune in gold. As she approaches adulthood the bamboo cutter uses the fortune to purchase a villa in the capital, buy himself a title and employ tutors to transform the country girl - now given the name Kaguya - into a refined woman. News of her beauty brings powerful and wealthy suitors who compete for her hand in marriage, culminating in a proposal from the emperor. All the while Kaguya wishes that she and her family could return to their former life and to be reunited with her sweetheart, Sutemaru. Sooner or later, though, her true origins will make their own claim upon her.

11:28 My Neighbors the Yamadas (1999. The tale of princess kaguya wiki. I love Howls Moving Castle 🏰. It was the first Ive ever watched and I stayed up late to watch it. It was so good. I don't how to put it in words but I have an emotional tie with this movie! The feeling is just overwhelming and surreal. Yes, yes, YEEEEEEESSSSSS. I've waited so long for this. The Tale of Princess kazuya mishima. The tale of princess kaguya streaming. The tale of princess kaguya hime.

The tale of princess kaguya watch online. The tale of princess kaguya rotten tomatoes. The tale of princess kaguya mal. Am I the only one that loves “The Wind Rises”? I mean its the best for me...

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The tale of princess kaguya torrent. Why there is no POMPOKO. I think POMPOKO is one of the best masterpiece in Ghibli as well. Freaking FINALLY! 25 years later and we're finally getting a dub of this movie! Now I can one day have a complete Studio Ghibli collection! Better late than never. The tale of princess kaguya eng sub. The tale of princess kaguya full movie youtube. This movie has such a “life” feeling and How time keeps rolling”its sooo freaking beautiful. The tale of princess kaguya 123movies.

For this we gave up the Brazilian helicopter pilot? I love this! Can't wait to see it. Very heartwarming and peaceful film. The tale of princess kaguya kissanime. The tale of princess kaguya imdb.

A Work of Art Come to Life Posted Sept. 9, 2014, 3:12 a. m. This review is part of IGN's coverage of the 2014 Toronto International Film Festival. CG animation dominates American theaters. For the most part, it's gorgeous — crisp, kinetic, and mind-bogglingly photo-realistic. It's hard to know what we're missing. until something like Isao Takahata's The Tale of Princess Kaguya enters view. Rendering a 10th century Japanese folktale in bustling watercolors, Takahata's fifth film for Studio Ghibli is a painterly meditation on youth, maturity, and death. The film stands apart from the crowd, compared even to Ghibli founder Hayao Miyazaki's acclaimed slate, in both artistry and narrative. After clearing tears from your eyes, you'll see the bar for homegrown cartooning set to a new height. The Tale of Princess Kaguya is a pinnacle of animation in the new millennium. While walking through a bamboo grove, Okina discovers a magical shoot bearing a baby girl. Believing her to be a gift from the gods, a princess in need of nurturing, the bamboo cutter returns home to raise Kaguya with his wife. Her magic is evident: In only a few short days, the girl grows from a Thumbelina-sized babe to an infant to a agile young sprite. Kaguya takes to the flora and fauna of the Earthly world, palling around with fellow farm kids and taking a special liking to the oldest boy, Sutemaru. It's clear she's not one of them — when the scamps launch into a traditional nursery rhyme, Kaguya enters a trance, extrapolating the song with ancient words — but she's at peace. Everything is perfect. Still, Okina sees room for improvement. Returning to the grove, the cutter is gifted once again with a life-changing stash of gold. With the lottery win, Okina uproots his family to the capital, showering Kaguya with fine linens, musical instruments, and a etiquette coach who will transform her into a proper princess. Kaguya is devastated. She rapidly matures into a teenager, trying to adjust to the new lifestyle, but it's no use. Depression sets in, compounded by Okina insisting she find a husband. Forced on to a regal path, Kaguya's demise is written in the stars. By abandoning realism for impressionism, lush illustrations that bleed on and off the screen, Takahata manifests a more realistic reflection of the human experience. Kaguya's afternoons spent playing in overgrown forests of pale greens and yellows, brush strokes apparent by design. The picture book design amplifies Kaguya's innocence. It's so tangible, we just know it could be ripped away by cynicism or harsh reality. Characters have the same dreamy, hand-crafted life to them. Later in the film, as aggressive suitors and her demanding father chip away at Kaguya's inner strength, close-ups of the princess' face quiver with a fearful chill. It's not an illusion; With each frame sketched over the next, the charcoal lines literally tremble. A computer could recreate them with precision. Takahata embraces imperfection. The Tale of Princess Kaguya's expressive style allows Takahata to keep tight control over his canvas, heightening detail or exploding the illustrations into colorful chaos depending on what the scene demands. A tumbling baby, a goofy reaction shot, or a frantic prince wildly stomping out a fire are filled in with lines and curves to land laugh out loud comedic moments (that play, even for Americans whose eyes drift to subtitles. The opposite is often more impressive: When Kaguya overhears a group of men salivating over her beauty, she's so disgusted that she retreats to the woods, bursting through doors like a rocket. As she propels forward, Takahata's animation crackles into a fury of jagged black lines, transferring Kaguya's rage to our eyes. It's a moment of horrific beauty. Pros Watercolor cartooning achieves realistic emotion. Rare melancholy narrative sensitively realized. Mix of comedy & tragedy may make you weep. The Verdict Backed by another whimsical score by Joe Hisashi (Princess Mononoke, Spirited Away) The Tale of Princess Kaguya transcends mere eye candy by delving into tragedy. The knowledge that Kaguya will one day return to her home on the moon (go with it) lingers in the background of every scene. When Takahata confronts the possibility, he treats it with the same meditative care he did for war in Grave of the Fireflies. The Tale of Princess Kaguya is a love letter to the sounds and images of the world, and an admission that losing them is a terrifying notion. Amazing Tale of Princess Kaguya sweeps across the screen with jaw-dropping animation & a philosophical, dreamy story to match.

The Tale of Princess kagura. The tale of princess kaguya download. The foot is down. THE. FOOT. IS DOWN. 1:44 XD. Aww Rey is following Luke's steps into voice acting. This was a film released years ago, but never with English audio. The tale of princess kaguya running scene. The tale of princess kaguya netflix. This film came out in 1991 though! 😂. *Castle in the sky: 1986 Calls it ‘the first official release Nausica of the valley of the wind: 1984.

 

Grave of the fireflies needs to be number 1. Promiseeee. I just got back from watching Grave of the Fireflies That was the most beautiful heart-breaking depressing piece of art I have ever watched. I cried until i was dehydrated... Critics Consensus Boasting narrative depth, frank honesty, and exquisite visual beauty, The Tale of the Princess Kaguya is a modern animated treasure with timeless appeal. 100% TOMATOMETER Total Count: 92 90% Audience Score User Ratings: 13, 873 The Tale of the Princess Kaguya Ratings & Reviews Explanation The Tale of the Princess Kaguya Photos Movie Info Legendary Studio Ghibli cofounder Isao Takahata (Grave of the Fireflies, Pom Poko) revisits Japan's most famous folktale in this gorgeous, hand-drawn masterwork, decades in the making. Found inside a shining stalk of bamboo by an old bamboo cutter (James Caan) and his wife (Mary Steenburgen) a tiny girl grows rapidly into an exquisite young lady (Chloë Grace Moretz. The mysterious young princess enthralls all who encounter her - but ultimately she must confront her fate, the punishment for her crime. From the studio that brought you Spirited Away, My Neighbor Totoro, and The Wind Rises comes a powerful and sweeping epic that redefines the limits of animated storytelling and marks a triumphant highpoint within an extraordinary career in filmmaking for director Isao Takahata. (C) GKIDS Rating: PG (for thematic elements, some violent action and partial nudity) Genre: Directed By: Written By: In Theaters: Oct 17, 2014 limited On Disc/Streaming: Feb 17, 2015 Box Office: 408, 718 Runtime: 137 minutes Studio: GKIDS Cast News & Interviews for The Tale of the Princess Kaguya Critic Reviews for The Tale of the Princess Kaguya Audience Reviews for The Tale of the Princess Kaguya The Tale of the Princess Kaguya Quotes News & Features.

The tale of princess kaguya blu ray. The Tale of Princess kaguya. Oh my god wow this seems amazing :DD It looks super well done and interesting and i love the time it took place.